Thats right, my dear reader. This light is shining full upon me now that I have come to the other side of the dank tunnel known as "painting hell and prop nightmare" for MOLM. I have successfully rode the wave of scheduling snafus. rarely gotten dunked in the panic fog of prop construction, and barely survived the avalanche of dissapointment in the chicky-boo who beat my sorry old ass out of Aldonza.
Reviews have been good this week. they praised Cervantes/Quixote to the skies (and rightfully so), but Self-Absorption Girl got this:
"...sustains the demanding role of Aldonza. She is a coarse wench, full of temper, who brings soup to the prisoners. They have no respect for her and taunt her. At first sight, however, Quixote acclaims her as the idealization of pure womanhood and calls her Dulcinea. This only confuses and frustrates her.
[S.A.G.] ...sings with a tension that reflects the stridency of Aldonza's character."
And I, despite my vindictive and judgemental naure, actually wanted her to succeed. And I even gave her the benefit of the doubt when her voice cracked and she had absolutely no compresson or acting ability during dress rehearsals. BUT: it didn't get any better! Flat, overacted, and fully icky. Not terrible, but if only Cervantes/quixote wasn't completely professional grade, she might have come out the better.
What does it all mean? "sings with a tension means, in my addle pated and hurt view, the role is waaay to big for her, she can't act, and her voice suffers from too much Britney Spears. AND: one cannot sustain any role with one's mother being president of the board.
FEH.
I didn't even go to opening. My set rocked.
harumph